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Otis Taylor
With Otis Taylor, its best to expect the unexpected. While his music, an amalgamation of roots styles in their rawest form, discusses heavyweight issues like murder, homelessness, tyranny, and injustice, his personal style is lighthearted. Im good at dark, but Im not a particularly unhappy person, he says. Id just like to make enough money to buy a Porsche.
Part of Taylors appeal is his contrasting character traits. But it is precisely this element of surprise that makes him one of the most compelling artists to emerge in recent years. In fact,
Guitar Player magazine writes, Otis Taylor is arguably the most relevant blues artist of our time. Whether its his unique instrumentation (he fancies banjo and cello), or its the sudden sound of a female vocal, or a seemingly upbeat optimistic song takes a turn for the forlorn, what remains consistent is poignant storytelling based in truth and history. On his sixth CD,
Double V, Taylor unleashes intimate tales as he produces an aural excursion inspired by an unconventional childhood.
Otis Mark Taylor was born in Chicago in 1948. After his uncle was shot to death, his family moved to Denver where an adolescents interest in blues and folk was cultivated. Both his parents were big music fans; I was raised with jazz musicians, Taylor relates. My dad worked for the railroad and knew a lot of jazz people. He was a socialist and real bebopper." His mother, Sarah, a tough as nails woman with liberal leanings, had a penchant for Etta James and Pat Boone. Young Otis spent time at the Denver Folklore Center where he bought his first instrument, a banjo. He used to play it while riding his unicycle to high school. The Folklore Center was also the place where he first heard Mississippi John Hurt and country blues. He learned to play guitar and harmonica and by his mid-teens, he formed his first groupsthe Butterscotch Fire Department Blues Band and later the Otis Taylor Blues Band. He ventured overseas to London where he performed for a brief time until he returned to the U.S. in the late 60s. His next project became the T&O Short Line with legendary Deep Purple singer/guitarist Tommy Bolin. Stints with the 4-Nikators and Zephyr followed before he decided to take a hiatus from the music business in 1977. During this time he established a successful career as an antiques dealer and also began coaching a professional bicycle team. They ranked 4th in the nation and were known for having two of the best African-American riders in the country. But with much prodding from friends and associates, the reluctant Taylor returned to music in 1995.
Two years later he released
Blue Eyed Monster (Shoelace Music), which riveted the blues world and marked the emergence of a singer/songwriter who has, in his own words, a way of saying something that seems to be more intense. Further, he says you can definitely see how I was forming. There was the Christmas song about a guy that killed his parents. Definitely getting ready to go that way, you know? In 1998, he raised more eyebrows with
When Negroes Walked the Earth (Shoelace) an album replete with unapologetic lyrics, stark instrumentation and a gut-wrenching delivery.
Playboy magazine described it as "minimalist blues in the John Lee Hooker mode." Critics and music fans took notice and his talents as a vivid storyteller and accomplished guitar player were solidified. His gifts were further recognized in Summer 2000, with a composition fellowship from the Sundance Institute in Park City, UT.
If Taylors first two recordings cast a spell on the music world, listeners were officially entranced by
White African (2001, NorthernBlues Music), his most direct and personal statement about the experiences of African-Americans. He addressed the lynching of his great-grandfather and the death of his uncle. Brutality became his concern in songs that fearlessly explored the history of race relations and social injustices. With this disc Taylor was officially blazing a trail. He earned four W.C. Handy nominations and won the award for Best New Artist Debut.
White African was barely in record stores when he began writing the songs that would comprise
Respect The Dead. Released in 2002, it made him a contender for two Handys in 2003; Best Acoustic Artist and Contemporary Blues Album. Last year, he bent conventions again with his debut effort for Telarc Records,
Truth Is Not Fiction. Here, Taylor took a decidedly electric, almost psychedelic path forging a sound which he describes as trance-blues. Music critics were indeed captivated as the disc received lavish praise from
USA Today, New York Times, Washington Post, NPR and MSNs
Slate magazine.
In addition to traditional touring and recording, Taylor spearheads a Blues in the Schools program called "Writing the Blues." Conceived by his wife, he appears at elementary schools and universities around the country to offer advice, enlighten, and mentor students about the blues. I start by asking them to write down what makes them sad; fears, disappointments, losses, whatever. It is just amazing to see some of these nuggets, these incredible thoughts. They are often simple sentences but so real, so sad, so true, so pure. For Taylor, its an opportunity to connect with others and help others to connect with themselves. And, it allows him to do his part in ensuring that the blues, and the ability to share life experiences will continue in the next generation.
Taylor currently resides in Boulder, Colorado where he lives with his wife and two daughters.
View upcoming tour events for Otis Taylor
Official Website
Show Schedule
MP3 Sample Tracks:
Love and Hesitation
Mexican Cowboy
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